經歷生死之間或近或退的消長過程，肉身作為載體也紀錄了各階段的變化與烙印。我為沒能成為雕像的人類軀殼賦予意義，創造一個名為身體的命案現場。

 

擷取人體的各部件，肉體積累生活痕跡，作為他人與自我共同行使的工具，勾勒出一條精神與身體共同體驗經歷的旅程。作品以規律的擺動、疲軟的姿態、褪去的皮囊、受迫的肉身，肢體與軀幹間不同材質的轉換，並置陳列、擬仿變形的人類日常，形成一種似真又假的怪異感，描述現代社會中人類群體的成長、想望與創傷。

 

Taking various human body parts, I try to reveals traces of life with layered flesh, as a shared tool for others and the self, outlining a journey traversed together by the body and the spirit. The periodic swinging motion, tired postures, stripped skin, flesh under pressure, and the transformation of various materials used for the limbs vs the torso are displayed next to each other. The visual, simulating a deformed human life while creating an oddity that is both real and surreal, describes the growth, hopes, and trauma of human groups in modern society.